The atheism of a French doctor is tested when he sees for himself the miraculous healing powers of the shrine at Lourdes.

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"Beginning with conventionally beautiful mountain vistas, the film slowly moves toward the area around the sacred grotto and finally to shots within the grotto itself. There are shots of shop-windows full of Lourdes souvenirs (including candy made with holy water from the shrine), but these come in fairly late, avoiding a blatant focus on the commercialization of the site and the notion that those hoping to be healed of illness and deformity are being exploited. Clearly Dekeukeleire has a more original sense of composition than does Storck. There is a motif of old women selling candles that the filmmaker turns into a series of shots that look like something out of Eisenstein’s Mexican footage–which of course Dekeukeleire could not have seen. The film is critical of the church, but subtly so–and perhaps mainly because we’ve been cued to take it that way, especially in this case by the dissonant music. I wonder if, in a different context and with a cheerier soundtrack, some of the devout might actually take it as a serious tribute to the healing powers of the saint. They would be mistaken, I think" Kristin Thompson Download Links: http://rapidshare.com/files/387040909/lourdes.mkv.001 http://rapidshare.com/files/387040895/lourdes.mkv.002 Rar Password: none

1963年苏联十月革命题材电影的德国电视翻拍版

A French adaptation of William Shakespeare's play "Richard II", staged by Jean-Baptiste Sastre.

Documentary about the life, convictions and career of Portugal's first and only female Prime Minister. Maria de Lourdes Pintasilgo believed that "women can be a force for radical transformation of the institutionalised irrationality in which we live. The multifunctionality of their existence, the diversity of the planes on which they move, their daily lives give them a special capacity to find a new understanding and a new effectiveness for governance in the midst of complexity". Unlike many other women who have the same conviction, Maria de Lourdes Pintasilgo turned her life into a praxis of her own belief.

When she was a little girl, Liuba came to town with her widowed mother to live in the block of flats owned by her aunt Anna Iwanowna. The wealthy and cold-hearted Anna Iwanowna barely accepted them as tenants. And no sooner did Liuba's mother die than she wanted to send her niece to the orphanage. Fortunately, Pawlin, Anna Iwanowna's janitor, decided to adopt her and he brought her up with affection. When she grew up, the beautiful Liuba fell in love with her aunt's son, Dodja, a good-looking but profligate army officer. Wishing nothing more than an affair with Liuba, Dodja did not hesitate to play the comedy of love to her. When she realized what Dodja was really after, Liuba was devastated and in desperation accepted to marry Pawlin, her benefactor, who had been infatuated with her for years. Alas, in the middle of the wedding party Dodja danced with Liuba and eloped with her.

A jealous husband leaves jail to find his wife loves his counsel.

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